Цифровой сторителлинг для повышения языковой компетенции изучающих второй язык с помощью изображений и видео

Авторы

  • Узбекский государственный университет мировых языков
Цифровой сторителлинг для повышения языковой компетенции изучающих второй язык с помощью изображений и видео

Аннотация

Цифровое сторителлинг становится инновационным педагогическим инструментом, объединяющим повествование, визуальные и мультимедийные элементы для поддержки изучения второго языка (L2). В статье рассматривается, как использование изображений и видео как основных компонентов цифрового сторителлинга способствует развитию языковой компетенции учащихся за счет вовлеченности, креативности и аутентичного использования языка. Рассматриваются теоретические основы (конструктивизм, мультимодальное обучение, коммуникативный подход), а также эмпирические исследования, подтверждающие эффективность цифрового сторителлинга в усвоении лексики, произношения, грамматики и культурной осведомленности. Комбинируя визуальные стимулы с нарративными структурами, цифровой сторителлинг обеспечивает учащимся значимый контекст для практики и взаимодействия. Кроме того, подчеркивается, что цифровой сторителлинг развивает как рецептивные, так и продуктивные навыки, превращая учащихся в активных создателей контента. Обсуждаются проблемы, связанные с цифровой грамотностью, доступом к ресурсам и подготовкой преподавателей, а также пути их преодоления. В целом, статья утверждает, что цифровой сторителлинг с использованием изображений и видео является мощным методом формирования коммуникативной компетенции, межкультурного понимания и автономии учащихся.

Ключевые слова:

Цифровое сторителлинг изучение второго языка мультимодальная педагогика коммуникативная компетенция изображения видео автономия учащихся межкультурная осведомленность

Introduction

Digital storytelling, understood as the integration of narrative with multimedia resources such as images, videos, and sound, is increasingly recognized as a powerful approach in second language acquisition (SLA). Traditional language learning has often emphasized repetitive drills, vocabulary lists, or decontextualized grammar exercises, but digital storytelling shifts the focus toward authentic communication and learner creativity. By combining language practice with visual and auditory elements, learners experience language as part of a meaningful and multimodal process rather than an isolated set of rules.

The pedagogical value of digital storytelling is grounded in several educational theories. Constructivist approaches emphasize that learners actively construct knowledge through engagement and personal involvement. Digital storytelling exemplifies this principle by enabling learners to craft narratives based on personal experiences or cultural themes. Vygotsky’s sociocultural theory adds further weight to this method, as storytelling activities encourage peer collaboration, scaffolding, and interaction within the Zone of Proximal Development. Mayer’s cognitive theory of multimedia learning also supports the practice,               showing that learning improves when words are paired with visual cues, enhancing comprehension and memory through dual coding.

In the classroom, digital storytelling enhances all four language skills. Vocabulary is strengthened when learners associate new words with images or moving visuals. Pronunciation and fluency are improved through rehearsals and audio recording for voice-overs. Grammar is internalized naturally when embedded within coherent and purposeful stories. Beyond linguistic skills, digital storytelling fosters intercultural competence by encouraging learners to integrate cultural narratives into their projects, thereby promoting empathy and awareness of global diversity.

Challenges, however, remain. Teachers require adequate technological expertise to guide learners, and students may face barriers such as limited digital literacy or lack of access to multimedia tools. Curriculum restrictions can also constrain the time available for such projects. Despite these issues, digital storytelling consistently proves effective in enhancing learner engagement, autonomy, and motivation.

Literature review

Digital storytelling represents a convergence of narrative, pedagogy, and multimedia technologies, making it a highly adaptable method in second language education. Its theoretical basis lies in constructivism, sociocultural learning, and multimodal pedagogy, which together explain why this method is effective in enhancing learners’ language proficiency.

Constructivism argues that learners build knowledge through active involvement          with meaningful tasks (Piaget, 1972). Digital storytelling embodies this principle because learners do not simply consume language,               but actively create digital narratives that integrate images, sound, and text. Robin            (2016) notes that digital storytelling allows students to develop multiple literacies simultaneously – technological, visual, and linguistic — while producing meaningful content. This learner-centered approach contrasts with traditional memorization-based models of language learning and fosters deeper understanding.

Vygotsky (1978) emphasized the role             of interaction, scaffolding, and collaboration             in language development. Digital storytelling integrates these elements naturally: learners often work in groups to design and refine stories, negotiate meaning, and provide peer feedback. Hafner (2015) observed that when learners collaborated on digital storytelling projects, they not only practiced communicative skills but also developed digital literacies and confidence in language use. The interactive process aligns with the Zone of Proximal Development, where learners progress by engaging in shared tasks with support.

A central strength of digital storytelling lies in its multimodality. Communication is rarely limited to words; it involves visuals, gestures, and sound (Kress, 2010). Mayer’s (2009) cognitive theory of multimedia learning supports the idea that combining words with visuals enhances learning outcomes through dual-channel processing. Yang and Wu (2012) found that students who engaged in digital storytelling improved in listening and speaking because images and videos provided contextual cues that facilitated comprehension and production. Paivio’s (1991) dual coding theory similarly supports the claim that pairing linguistic and visual elements strengthens memory retention.

Multiple empirical studies highlight the linguistic and motivational benefits of digital storytelling. Green, Inan, and Maushak (2014) demonstrated that digital storytelling enhanced oral fluency and confidence among learners. Ng and Nicholas (2015) showed that visual storytelling supported vocabulary acquisition in ESL contexts, as students linked new words to meaningful images. More recently, Verdugo and Belmonte (2021) emphasized the intercultural benefits of digital storytelling, observing that learners gained cross-cultural awareness when engaging with culturally diverse stories.

The combination of visuals and narration provides scaffolding for learners, particularly           in early stages of second language development. Images serve as memory cues, while videos replicate real-world communicative contexts, enabling learners          to practice pragmatic language use (Sadik, 2008). Narration recorded over visual sequences encourages repeated practice of pronunciation and grammar, making the process engaging and purposeful.

Despite its benefits, digital storytelling faces several challenges. Teachers may lack training in integrating digital tools into             lessons (Sylvester & Greenidge, 2009).            Learners may encounter difficulties with unequal access to devices or varying levels of digital competence (Kearney, 2011). Moreover, digital storytelling projects can require considerable classroom time, creating tension with traditional curriculum demands. These challenges suggest the need for professional development, technical support, and thoughtful curriculum design.

The literature consistently affirms that digital storytelling enriches second language learning by engaging learners in narrative construction, multimodal communication, and collaborative learning. Beyond improving vocabulary, pronunciation, and grammar, it nurtures motivation, digital literacy, and intercultural competence. While challenges exist, the evidence positions digital storytelling as a transformative pedagogical method            that aligns with global educational goals in the 21st century.

The application of digital storytelling in language classrooms demonstrates its versatility in enhancing proficiency and engagement. Unlike conventional methods, digital storytelling places learners at the center of the learning process by allowing them to become active producers of content.

Digital storytelling enhances all four language skills. Learners improve their         listening and reading comprehension by engaging with multimedia input while       speaking and writing are developed through scripting, narration, and editing. For example, when creating a short video story, students must draft scripts, practice pronunciation,           and ensure accuracy in grammar before recording voice-overs. This process provides authentic opportunities for contextualized language practice.

Motivation is a central benefit of digital storytelling. Learners are often more engaged when their work is creative and shareable beyond the classroom. Robin (2016) emphasizes that the act of publishing digital stories online or presenting them to peers fosters ownership, accountability, and pride. As a result, students view language learning as a meaningful, real-world activity rather than a purely academic exercise.

Digital storytelling also provides opportunities for intercultural exploration. By creating stories about cultural traditions, festivals, or personal experiences, learners gain insights into their own cultural identity while developing an appreciation of others. This aligns with the concept of intercultural communicative competence, a key objective in globalized education.

Despite its promise, digital storytelling requires thoughtful implementation. Teachers must align projects with curricular goals to ensure that storytelling activities meet linguistic objectives. In addition, some learners may face technological barriers or lack confidence in using multimedia tools. Institutions need to support teachers through professional development and provide students with access to appropriate resources.

When implemented effectively, digital storytelling strengthens not only language learning but also broader educational goals, including creativity, collaboration, and critical thinking. Its emphasis on learner-centered pedagogy reflects contemporary approaches to education, which view students as active participants rather than passive recipients.

Overall, digital storytelling illustrates that second language learning is most effective when it is interactive, multimodal, and embedded in authentic contexts.

Conclusion

Digital storytelling represents a powerful approach to second language teaching           that integrates narrative, images, and videos to provide learners with meaningful, multimodal experiences. Theoretical perspectives from constructivism, sociocultural learning, and multimedia learning support its use, while empirical studies confirm its effectiveness in improving vocabulary, pronunciation, grammar, and intercultural competence.

Importantly, digital storytelling          enhances both receptive and productive           skills, motivating learners to create, reflect,           and communicate authentically. By encouraging creativity and intercultural exploration, it aligns language education with the demands of global communication and 21st-century skills.

Although challenges such as limited technological access, varying digital            literacies, and curriculum constraints persist, these can be mitigated through teacher training, institutional support, and careful instructional design. With proper implementation, digital storytelling not only advances linguistic proficiency but also nurtures learner autonomy and digital competence.

In conclusion, digital storytelling should be recognized as more than an instructional supplement. It is a transformative pedagogical practice that enriches second language acquisition by blending narrative with visual and auditory modalities, empowering learners to use language authentically and effectively in real-world contexts.

Библиографические ссылки

Green, L. S., Inan, F. A., & Maushak, N. J. (2014). A case study: Learner-centered instructional design and development of a multimedia-rich online course. The International Review of Research in Open and Distributed Learning, 15(3), 49–74. https://doi.org/10.19173/irrodl.v15i3.1660

Hafner, C. A. (2015). Remix culture and English language teaching: The expression of learner voice in digital multimodal texts. TESOL Quarterly, 49(3), 486-509. https://doi.org/10.1002/tesq.238

Kearney, M. (2011). A learning design for student-generated digital storytelling. Learning, Media and Technology, 36(2), 169-188. https://doi.org/10.1080/17439884.2011.553623

Kress, G. (2010). Multimodality: A social semiotic approach to contemporary communication. Routledge.

Mayer, R. E. (2009). Multimedia learning (2nd ed.). Cambridge University Press.

Ng, W., & Nicholas, H. (2015). A framework for sustainable mobile learning in schools. British Journal of Educational Technology, 46(2), 294-308. https://doi.org/10.1111/bjet.12135

Paivio, A. (1991). Dual coding theory: Retrospect and current status. Canadian Journal of Psychology, 45(3), 255–287. https://doi.org/10.1037/h0084295

Robin, B. R. (2016). The power of digital storytelling to support teaching and learning. Digital Education Review, 30, 17-29. https://revistes.ub.edu/index.php/der/article/view/16104

Sadik, A. (2008). Digital storytelling: A meaningful technology-integrated approach for engaged student learning. Educational Technology Research and Development, 56(4), 487-506. https://doi.org/10.1007/s11423-008-9091-8

Sylvester, R., & Greenidge, W.-L. (2009). Digital storytelling: Extending the potential for struggling writers. The Reading Teacher, 63(4), 284-295. https://doi.org/10.1598/RT.63.4.3

Опубликован

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Биография автора

Умида Инагамова,
Узбекский государственный университет мировых языков

Преподаватель

Как цитировать

Инагамова, У. (2025). Цифровой сторителлинг для повышения языковой компетенции изучающих второй язык с помощью изображений и видео. Лингвоспектр, 9(1), 285–290. извлечено от https://lingvospektr.uz/index.php/lngsp/article/view/1063

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